Jonathan Chen Orchestra - Jonathan Chen + Tatsu Aoki



  1. Reading Comprehension
  2. Beneath the Skin
  3. Capital
  4. Imago
  5. Bell
  6. Harber
  7. Bracket
  8. Four Twenty-Three
  9. Backwards

March 15, 2007
Asian Improv Records AIR0071

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Album Description, Editorial Review

Elliott Simonall

The lofty aspirations for the cleverly titled Jonathan Chen's Orchestra are nearly achieved as violin and bass meet in intimate yet adventurous soundscapes. Both utilize harmonics and perhaps some electronic aids in performing what is a broad array of improvised compositions. Chen plays in a staccato fashion while Aoki maintains beautiful support that highlights his instrument's depth on cuts like CD opener “Reading Comprehension” and the delightful romp “Capital.” It is however, on the more 'out' pieces like “Beneath the Skin” and “Imago” where the duo are at their most inventive, morphing their stringed instruments into otherworldly equipment. The former has Chen simulating an operatic diva while the latter features a somewhat astonishing in-tandem percussive exploration. At times the duo surprises with a catchy melody like that of the mesmerizing “Bracket” or when Aoki plays in a register that seemingly should be Chen's on the hypnotic “Four Twenty-Three.” “Backwards” ends the program with a lovely exotic feel brought about through what can best be described as a constructive “birthing” simulated by Aoki's percussive chords and Chen's cries and sobs.

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